Bio

 

About Me 

Im Mia, a mixed media artist influenced by graphic  media of the past and present. Orginally from Manchester and now Edinburgh based i explore multiple mediums and ways of creating an image, in particular using collage and painting but also screenprinting, publication and photography.

 

'The Cat' Project Overview and Statement 

Throughout childhood animals became a key part of my development and growth. As I grew up I realised “these animals

are less than I believed” (Berger,2009). They did not walk around on two legs, they did not wear clothes, they were not like

me. Instead, they were behind bars and represented something a child would deem as uninteresting.

My work interrogates the cultural desensitisation to animals that arises through their anthropomorphic portrayals in media.

I explore the anthropomorphic animal characters included within the comics of the past. By collaging and

decontextualising familiar visual tropes, I expose how simplified and humanised figures reflect and distort our relationship

with animals.

Through collaging, screen printing and physical media in combination with painting, I manipulate images from vintage

comics; playing on panel style compositions and interactions between mediums. Instead of presenting their cheerful

exaggerated characters as forms of entertainment, I use the images as a mode of displacement and distortion. These

characters originally used to amuse, sell and simplify, become modes of exploration of how animals have been stripped of

their complexity and wildness within media. My painted depictions reclaim these images, reanimating and layering them

within painterly expressive mark making, restoring a sense of physicality and natural instinct the illustrations dismissed.

My work exists in the realm between nostalgia and critique challenging audiences to consider how recurring images

within media of anthropomorphic animals has desensitised us to the realities of animal’s futures. Reducing them down to

symbols, marketing ploys and projections of ourselves. By using screen print I distort and place these images in a space

between graphics and fine art. Through my combination of painted depictions and flattened screen prints, I create a

conflicting relationship to establish a sense of unease and tension forcing viewers to confront their own relationship with

the natural world and how media may have affected this.

'The Cat', Graduate show series, 2025

Mia Williams, The Cat, multimedia series (screen print, acrylic and oil paint on stretched canvas, various sizes, 2025

graduate show series of 8 paintings collages comprising on screen printing and colour blocking
'The Cat', Mia Williams, Graduate show multimedia series of paintings( collage, acrylic and oil paint and screenprint)
Blue comic cat tongue on canvas screen print layered on pink comic screen print
'The Cat(8), Mia Williams, layered screen print on stretched canvas
details of the cat
'The Cat(4)', Mia Williams, acrylic paint and screen print on stretched canvas
painted lion and star screen print on yellow background
'The Cat(4)', Mia Williams, acrylic paint and screen print on stretched canvas
The cat screen print
' The Cat( 1.1)', Mia Williams, screen print and acrylic paint on stretched canvas
painted big cat mouth
'The Cat (6)', Mia Williams, oil and acrylic paint on stretched canvas
The Topper (NO 28)

Mia Williams, The Topper (NO 28), screen print and acrylic paint on physical comic, 41cm x 28cm, 2025

comic book on a stand with comic stars screen printed on top
'The Topper(NO 28)', Mia Williams, screen print and acrylic paint on original comic
physical comic with screen printed cats tail on top
'The Topper(NO 28)', Mia Williams, screen print and acrylic paint on original comic
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Painting - BA (Hons)

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